Music producer Ezuri had a cover piece in mind when he submitted the EP to the record label Darkfloor Sound. The oil painting, by artist Rosmarie Weinlich, set the tone of the work of which the sleeve would compliment.

Basing the colour palette around her art, the evolution of the design was pretty organic. Reflecting the detail of the music, the goal was to to achieve something textured, stylised, but without being too rigid or minimal.

In keeping with the label's artwork ethos and style to date, the design presents rich, colourful work. Defying conventions of the scene and sound. Such as the oft used trope of grayscale and monotone graphics, typical of techno music.

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